The Blu-ray release is presented in the film’s original aspect ratio (1.33:1) and in 2.0 French mono, with optional English subtitles. When he's offered an easy job to steal three rocks from a jewelry store, he refuses at first; and later, he proposes even a more daring job, one that will take several hours but will have greater profits. Shadows in the darker scenes look great, details still strongly visible. Tony, however, is hardly your typical protagonist. After finding success in France, becoming the top grossing film of 1955, United Artists eventually released the film through United Motion Picture Organization, refusing to remove Dassin’s name therefore making Rififi the first film to break the Hollywood blacklist. One of the greatest heist pictures ever made, this is not only a genre classic, but one of the greatest films from one of film’s many golden eras. This is an outstanding interview and Iâm pleased Arrow did obtain it to add here. Sure, the silent heist is impressively done; yet, what impresses me most is the vibrancy and uniqueness of the the characters, the magnificent acting from a very inexpensive cast, and the grey forboding look of Paris. 'Spider-Man: Miles Morales' Review: Believe the Hype, 'Let Him Go' Review: Diane Lane, Kevin Costner Power a Well-Crafted Thriller, Stranger Things: The Drive-Into Experience Turns Downtown Los Angeles Into Hawkins, Indiana, 'Yakuza: Like a Dragon' Review: A Fantastic Story-Driven RPG That Welcomes Old & New Fans Alike. Disabling it will result in some disabled or missing features. Telling the story of four ex-cons who attempt to strike it rich with one final heist, the film introduces us to the poker-addicted Tony le Stephanois as he rings a longtime friend for some extra funding for his latest game. After making such American noir classics as Brute Force and The Naked City, the blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious robbery in the City of Light. In old Hollywood, Frank would be doomed to either death or prison, but Mann broke away while still working within the framework of genre. Dassin first opens with a great story about being recruited to play in a studio baseball game (Fox vs. MGM) and then talks about the painful experience of being blacklisted. This is not Gigi lol. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. That’s often the way in the film noir, but few were so great at expressing the fatalism as Dassin. Included is a 30-minute interview with Dassin, a gallery of stills and a new essay by critic J. Hoberman (read it here). Rififi is the ultimate heist movie, a mélange of suspense, brutality, and dark humor that was an international hit, earned Dassin the best director prize at the Cannes Film Festival, and has proven wildly influential on the decades of heist thrillers that have come in its wake. Top Five Home Video Releases Of August 2020.
Watching Rififi makes you want to watch more Jules Dassin films, which is the greatest compliment you can pay any movie. That said, the stories on it shared by Mann and Caan are great, even if they do occasionally lapse into silence.
Entitled Rififi, the film is now finally available on Blu-ray here stateside thanks to The Criterion Collection, and is one of the most influential films to have been made during the 1950s. Hollywood's loss was Europe's gain when Jules Dassin fled America because of the House Un-American Activities Committee blacklist at the end of the 1940s. Du rififi chez les hommes) 1955 (2001) - Gaumont (The Criterion Collection) review by Todd Doogan of The Digital Bits He works with his normal crew (which includes James Belushi), and has spent his life in and out of prison. Besides the new 2K restoration, the release is a relative port of the original Criterion DVD. review added: 4/10/01 Rififi (a.k.a. And, make no mistake, it’s a classic suspense sequence that is riveting in its minimalism. © 2020 Collider Cryptomedia, Inc. All Rights Reserved. But itâs best when she talks about the French gangster genre in general, including the novels that most of the films are based on, and also covers the American elements found in Rififi (more than likely unavoidable since Dassin was an American.) Sexy. Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool. Great heist film, but the iconic scene occurs 40 minutes before the ending, Reviewed in the United States on October 20, 2019.
Criterionâs DVD included some notes and photos, not found here, but this is still a nice comprehensive little package. Jules Dassin does have a seat of choice in the gallery of Movie History. If I were backed into a corner and had to choose I would put Rififi right at the top.
Click the button below and wait for a message from our Facebook bot in Messenger! Tony the supreme planner doesn't make an agreement with Jo about waiting for his call? Where Jules Dassin’s Rififi represents a perfect distillation of the classic noir model, Michael Mann’s Thief takes those tropes into the modern era. A podcast network and website
Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. There are truly very few filmmakers in the history of film that are quite like legendary auteur Jules Dassin. This review is for the 2001 Criterion DVD.
monitoring_string = "df292225381015080a5c6c04a6e2c2dc". The film comes with a commentary track, though it dates back to the film’s laserdisc release. Dassin’s camera is evocative and be it the ferocious close ups or the occasional bit of flourish (I’m thinking a dolly shot near the film’s conclusion that is beyond comprehension), this is an angry and energetic piece of filmmaking coming out of the soul of an auteur banished by Hollywood. He and Mohner’s chemistry feels real, and the centerpiece of the film is able to come to life thanks to the physicality that these two, along with names like Robert Manuel and even Dassin himself really turn their characters into living, breathing beings. If you’re a fan of heist flicks or film noir, then I recommend Rififi, as it has the best of what you look for in the genres. The presentation found here is spot on, possibly the best one Iâve seen from Arrow, and the supplements are all worth the time. Dassin had a checkered career, as he was blacklisted from Hollywood and came to Europe to continue his career. The supplements are modest, with the highlight being a twenty nine minute interview with Dassin, which was recorded in 2000 (eight years before his death). However, when he became blacklisted during the production of the aforementioned 1950 Fox classic The Naked City, his career changed completely. Another great inclusion. Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. After making such American noir classics as Brute Force and The Naked City, the blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious robbery in the City of Light. Is there more that needs be said? The digital transfer itself is sharp and the level of detail present can be astonishing at times. "I really liked you 'Macaroni'. The lossless PCM mono presentation is also a nice step up from my Criterion DVD edition, though the source still limits it. Often times discussed as what one would think to be the film’s finale, the following 45 minutes or so is a chase picture of the highest regard.
From there we become privy to a twisty and darkly comic story that is as breathtakingly told structurally as it is aesthetically. A perfect work of art. Despite the French-sounding name, Dassin is actually an American filmmaker forced to flee the U.S. after he was named as a communist before the House Committee on Un-American Activities (HUAC). There’s an old interview with Dassin that is absolutely superb, but outside of that, you’re coming for the new restoration, and staying for the Dassin interview. Overall the restoration has been incredibly thorough. Dassins film is a humanist tale that hinges on the loyalty among thieves and draws on the fatalistic, doom laden lives common to crooks and thieves in pulp literature. Tony Stephanois (Jean Servais) has just been released from prison, so he should feel good and look to start a fresh life for himself. Sorry, WAY too many mistakes for such "pros". review added: 4/10/01 Rififi (a.k.a.
It’s not shocking that Dassin would win Best Director at the 1955 Cannes Film Festival. This film is probably solely for people interested in the history of film and its development. With little reason to keep living he plans a final job. He never testified, fled to Europe and found trouble making films as Hollywood made it clear no film bearing his name would be distributed in the U.S.
Amazon.com. With surgical precision, the film’s career criminals go about their business in sile…, In 1955, Jules Dassin, an American director in exile in Paris, made this flat-out perfect piece of cinema. The same could be said of the new surround mix, which is all encompassing and excellent (with the score benefiting most from the surround mix). And she doesn't mean sex.
Arrow Films presents Jules Dasinâs caper classic Rififi on Blu-ray in its original aspect ratio of about 1.33:1 on this dual-layer disc. The really great heist movies are few and far between and Rififi ranks along side The Asphalt Jungle, The Red Circle and maybe a very few others like Thief. ©2020 All Rights Reserved Copyright. Reviewed in the United States on May 16, 2001. Spending much of his career in the world of “genre” cinema, the early portion of his career saw him arrive in the states to ultimately make such masterpieces as the one-two punch of Brute Force and The Naked City. Josh is a critic, a member of the Online Film Critics Society, a wrestling nerd, a hip-hop head, a father, a cinephile and a man looking to make his stamp on the world, one word at a time. The modern heist movie was invented in Paris in 1954 by Jules Dassin, with "Rififi," and Jean-Pierre Melville, with "Bob le Flambeur." Criterion’s Blu-ray transfers of their DVD catalogue are almost always a substantial upgrade, but in the best scenarios, they are revelations. The fact that on a minimal budget the director was also the script writer plus played one of the main characters in the film, makes this an amazing tour de force. All three, however, buck the idea of the old adage saying there is no honor among thieves, as the opposite is exactly the theme this film works with. Suspenseful. A lot of what I have to say about Rififi would probably read as hyperbole as it stands as not only an important film given its director’s political status, but the way in which it can double as not only an art film, but also a striking piece of cinema that can be enjoyed by any measure of movie lover. Criterion’s new Blu-ray transfer adds much more detail to every inky black scene, elevating the overall effect of this mid-’50s film from director Jules Dassin, who costars as Italian safe-cracker CÃ©sar le Milanais. In an earlier review, I criticised the sound synchronisation - well, Criterion have rectified this problem in the current second printing.
Gray levels are rendered without issue and are clearly defined. I would have loved, however, if this new release included a new audio commentary and a 30-minute documentary on Dassin and his journey from blacklisted filmmaker to the man who brought us Rififi. Mann’s eye for detail and for color was fully formed in his first feature, and the design is perfectly complimented by the score by Tangerine Dream, which creates an otherworldliness to the proceedings, but also amps up the tension.
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