From there we become privy to a twisty and darkly comic story that is as breathtakingly told structurally as it is aesthetically. A perfect work of art. Despite the French-sounding name, Dassin is actually an American filmmaker forced to flee the U.S. after he was named as a communist before the House Committee on Un-American Activities (HUAC). There’s an old interview with Dassin that is absolutely superb, but outside of that, you’re coming for the new restoration, and staying for the Dassin interview. Overall the restoration has been incredibly thorough. Dassins film is a humanist tale that hinges on the loyalty among thieves and draws on the fatalistic, doom laden lives common to crooks and thieves in pulp literature. Tony Stephanois (Jean Servais) has just been released from prison, so he should feel good and look to start a fresh life for himself. Sorry, WAY too many mistakes for such "pros". review added: 4/10/01 Rififi (a.k.a.

It’s not shocking that Dassin would win Best Director at the 1955 Cannes Film Festival. This film is probably solely for people interested in the history of film and its development. With little reason to keep living he plans a final job. He never testified, fled to Europe and found trouble making films as Hollywood made it clear no film bearing his name would be distributed in the U.S. With surgical precision, the film’s career criminals go about their business in sile…, In 1955, Jules Dassin, an American director in exile in Paris, made this flat-out perfect piece of cinema. The same could be said of the new surround mix, which is all encompassing and excellent (with the score benefiting most from the surround mix). And she doesn't mean sex.

Arrow Films presents Jules Dasin’s caper classic Rififi on Blu-ray in its original aspect ratio of about 1.33:1 on this dual-layer disc. The really great heist movies are few and far between and Rififi ranks along side The Asphalt Jungle, The Red Circle and maybe a very few others like Thief. ©2020 All Rights Reserved Copyright. Reviewed in the United States on May 16, 2001. Spending much of his career in the world of “genre” cinema, the early portion of his career saw him arrive in the states to ultimately make such masterpieces as the one-two punch of Brute Force and The Naked City. Josh is a critic, a member of the Online Film Critics Society, a wrestling nerd, a hip-hop head, a father, a cinephile and a man looking to make his stamp on the world, one word at a time. The modern heist movie was invented in Paris in 1954 by Jules Dassin, with "Rififi," and Jean-Pierre Melville, with "Bob le Flambeur." Criterion’s Blu-ray transfers of their DVD catalogue are almost always a substantial upgrade, but in the best scenarios, they are revelations. The fact that on a minimal budget the director was also the script writer plus played one of the main characters in the film, makes this an amazing tour de force. All three, however, buck the idea of the old adage saying there is no honor among thieves, as the opposite is exactly the theme this film works with. Suspenseful. A lot of what I have to say about Rififi would probably read as hyperbole as it stands as not only an important film given its director’s political status, but the way in which it can double as not only an art film, but also a striking piece of cinema that can be enjoyed by any measure of movie lover. Criterion’s new Blu-ray transfer adds much more detail to every inky black scene, elevating the overall effect of this mid-’50s film from director Jules Dassin, who costars as Italian safe-cracker César le Milanais. In an earlier review, I criticised the sound synchronisation - well, Criterion have rectified this problem in the current second printing.

Gray levels are rendered without issue and are clearly defined. I would have loved, however, if this new release included a new audio commentary and a 30-minute documentary on Dassin and his journey from blacklisted filmmaker to the man who brought us Rififi. Mann’s eye for detail and for color was fully formed in his first feature, and the design is perfectly complimented by the score by Tangerine Dream, which creates an otherworldliness to the proceedings, but also amps up the tension.

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